WE HATE YOU

Currently studying art in Melbourne. Posts are mostly things that inspire me. Some orgininal work. If you have any questions
Contact: jarrydajcooper@gmail.com

“And I saw an angel standing in the sun; and he cried with a loud voice, saying to all the fowls that fly in the midst of heaven, Come and gather yourselves together unto the supper of the great God; That ye may eat the flesh of kings, and the flesh of captains and the flesh of mighty men, and the flesh of horses, and of them that sit on them, both free and bond, both small and great.”

~

Being in a good place creatively makes up for the shitness and general malaise I feel right now.

apolloniasaintclair:

Apollonia Saintclair 518 - 20140819 L’immobilisation (The entrapment)

apolloniasaintclair:

Apollonia Saintclair 518 - 20140819 L’immobilisation (The entrapment)

planetaryfolklore:

cjwhoHouse in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

“It’s extraordinary how we go through life with eyes half shut, with dull ears, with dormant thoughts. Perhaps it’s just as well; and it may be that it is this very dullness that makes life to the incalculable majority so supportable and so welcome.”

—   Joseph Conrad (via likeafieldmouse)
la-belle-epoche:

CaravaggioJudith Beheading Holofernes (detail), 1598-99

la-belle-epoche:

Caravaggio
Judith Beheading Holofernes (detail), 1598-99

(Source: artisnonsense, via post-impressionisms)